Literaturnachweis - Detailanzeige
Autor/in | Hess, Juliet |
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Titel | Musicking a Different Possible Future: The Role of Music in Imagination |
Quelle | In: Music Education Research, 23 (2021) 2, S.270-285 (16 Seiten)Infoseite zur Zeitschrift
PDF als Volltext |
Zusatzinformation | ORCID (Hess, Juliet) |
Sprache | englisch |
Dokumenttyp | gedruckt; online; Zeitschriftenaufsatz |
ISSN | 1461-3808 |
DOI | 10.1080/14613808.2021.1893679 |
Schlagwörter | Imagination; Music; Futures (of Society); Critical Theory; Social Change; Social Justice; Music Education |
Abstract | Across the globe, many countries are at a nexus of multiple crises. The COVID-19 pandemic, structural racism, the climate crisis, and a severe economic downturn have all converged. These crises have wreaked havoc on minoritized communities in particular. This moment requires imagination to write a different future -- to not return to the status quo. Imagination becomes crucial for fathoming a different world. Musicking -- the different ways of making music that include listening, performing, creating, and beyond -- may allow us to engage in such imagining. Musicking offers a vehicle for dreaming and provides a vision for the future. In this paper, I explore movements in education that inform this political moment including critical reconstructionism, abolitionism, and critical pedagogy from the perspectives of people who theorise these movements. Subsequently I consider the role the arts might play in imagining. I engage in particular the work of Bettina Love and Maxine Greene. Ultimately, I examine potential ways that different facets of musicking, including listening, performing, and creating may enable children and youth to engage in what I call the dual roles of imagination. (As Provided). |
Anmerkungen | Routledge. Available from: Taylor & Francis, Ltd. 530 Walnut Street Suite 850, Philadelphia, PA 19106. Tel: 800-354-1420; Tel: 215-625-8900; Fax: 215-207-0050; Web site: http://www.tandf.co.uk/journals |
Erfasst von | ERIC (Education Resources Information Center), Washington, DC |
Update | 2024/1/01 |