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Autor/inHess, Juliet
TitelMoving beyond Resilience Education: Musical Counterstorytelling
QuelleIn: Music Education Research, 21 (2019) 5, S.488-502 (15 Seiten)Infoseite zur Zeitschrift
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN1461-3808
DOI10.1080/14613808.2019.1647153
SchlagwörterResilience (Psychology); Personality Traits; Neoliberalism; Power Structure; Educational Environment; Disadvantaged Youth; Music; Music Education; Critical Theory; Race; Teaching Methods; Singing; Musical Composition; Story Telling; Criticism; Program Descriptions; Social Justice
AbstractEducation discourse has recently turned toward resilience and grit. This article critiques the neoliberalism embedded in resilience education and the manner in which a resilience focus encourages docility, adaptation and vulnerability in youth in response to oppressive conditions rather than addressing oppression directly. As a site of resilience for marginalised youth, music is implicated in resilience education's failure to address systemic oppression. Drawing on Critical Race Theory (CRT), as a music educator, I challenge the tendency of resilience education to pathologise youth and individualise systemic issues and put forward songwriting within music education as a means to shift a pedagogy of vulnerability to a pedagogy of oppression that interrupts dominant narratives. I assert that a pedagogy of oppression through songwriting allows youth to create powerful musical counterstories that shift deficit discourse to focus on strengths. (As Provided).
AnmerkungenRoutledge. Available from: Taylor & Francis, Ltd. 530 Walnut Street Suite 850, Philadelphia, PA 19106. Tel: 800-354-1420; Tel: 215-625-8900; Fax: 215-207-0050; Web site: http://www.tandf.co.uk/journals
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2020/1/01
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