Revisiting the Model of Creative Destruction: St. Jacobs, Ontario, a Decade Later

Autor/inn/en	Mitchell, Clare J. A.; de Waal, Sarah B.
Titel	Revisiting the Model of Creative Destruction: St. Jacobs, Ontario, a Decade Later
Quelle	In: Journal of Rural Studies, 25 (2009) 1, S.156-167 (12 Seiten) PDF als Volltext Verfügbarkeit
Sprache	englisch
Dokumenttyp	gedruckt; online; Zeitschriftenaufsatz
ISSN	0743-0167
DOI	10.1016/j.jrurstud.2008.09.003
Schlagwörter	Community Development; Ideology; Foreign Countries; Models; Entrepreneurship; Rural Areas; Industrialization; Cultural Background; Canada + Suchen Sie Ihr Suchwort? Community; Development; Entwicklung; Ideologie; Ausland; Analogiemodell; Unternehmungsgeist; Rural area; Ländlicher Raum; Industrialisation; Industrialisierung; Kanada
Abstract	Ten years ago, the model of creative destruction was developed to predict the fate of communities that base their development on the commodification of rural heritage (Mitchell, C.J.A., 1998. Entrepreneurialism, commodification and creative destruction: a model of post-modern community development. Journal of Rural Studies 14, 273-286). Its application to the village of St. Jacobs, Canada, demonstrated that entrepreneurial investment had fostered the creation of a setting for aestheticized consumption. In this paper we demonstrate that creative destruction has continued to unfold in the village over the course of the past decade. The evolutionary path taken is assessed in light of current literature on rural space. It is concluded that to fully understand the transformative process, one must integrate the demands of myriad sub-cultures, whose social relations, ideologies and actions will contribute to the development of a contested landscape of consumption. This finding necessitates that modifications be made to the model and its various stages. The most significant is recognition that the "heritage-scape" is an interim state of landscape change; one that displaces the productivist landscape of the industrial period, and precedes the creation of the "neo-productivist" leisure-scape of post-industrialism. Whether or not such a "final" state is achieved is dictated by the power struggle that inevitably arises amongst sub-cultures engaged in the transformation of rural space. (Contains 6 figures and 7 tables.) (As Provided).
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Update	2017/4/10