Rescripting Creativity after Automation: Situating the Simulacrum to Interpret the Queerness of Computational Creativity

Autor/inn/en	Arantes, Janine Aldous; Vicars, Mark
Titel	Rescripting Creativity after Automation: Situating the Simulacrum to Interpret the Queerness of Computational Creativity
Quelle	In: Qualitative Research Journal, 23 (2023) 5, S.515-528 (14 Seiten) PDF als Volltext Verfügbarkeit
Zusatzinformation	ORCID (Arantes, Janine Aldous)
Sprache	englisch
Dokumenttyp	gedruckt; online; Zeitschriftenaufsatz
ISSN	1443-9883
DOI	10.1108/QRJ-01-2023-0012
Schlagwörter	Automation; Creativity; Computer Mediated Communication; Interaction; Computer Use; Social Media + Suchen Sie Ihr Suchwort? Kreativität; Computerkonferenz; Interaktion; Soziale Medien
Abstract	Purpose: The purpose of this paper is to examine how automation in the ever-changing technological landscape is increasing integrated into, and has become a significant presence in, our personal lives. Design/methodology/approach: Through post qualitative inquiry, the authors provide a contemplation of automation and its effect on creativity, as a contemporary expression of dis/locations, the simulacrum, performative work and a toxic digital presence in socio-cultural-technical spaces. Findings: The authors discuss how we behave, contribute, explore, interact and communicate within and across automated digital platforms, has salience for understanding and questioning the ways that dominant discourses in the contemporary construction and enactment of subjectivity, creativity and agency are being modulated by the machine. Originality/value: This paper offers a nuanced consideration of creativity, by considering the way creativity is being performed and situated within the effects of automation and its role in dis/locations, performative work and its potential as a the simulacrum in socio-cultural-technical spaces. (As Provided).
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Erfasst von	ERIC (Education Resources Information Center), Washington, DC
Update	2024/1/01